The Blue Diamond Read online

  Annie Haynes

  The Blue Diamond

  “Who knows if he didn’t make away with her here? Those things found in the Home Coppice show that she was made away with plain enough, I say.”

  Jim Gregory, under-gardener at Hargreave Manor, finds something unexpected when climbing Lover’s Oak but won’t say what. Instead he’s all ears regarding the legendary ‘Luck of the Hargreaves’ diamonds, destined for the future bride of Sir Arthur, the new squire.

  Sir Arthur himself then discovers a beautiful stranger, lost in the woods near the manor. She cannot recall a thing—not even her name. She is given shelter and Mary Marston, a private nurse, recognizes her—and abruptly goes missing. Nurse Marston must still be in the house, it is initially agreed—but if so, where?

  Who got rid of Nurse Marston? To whom does the tobacco pouch with the floral design belong? And why was a blood-stained cuff found in the woods? These mysteries, and more, Superintendent Stokes is determined to solve. The Blue Diamond (1925) is a classic of early golden age crime fiction. This new edition, the first in over eighty years, features an introduction by crime fiction historian Curtis Evans.

  “Tired men, trotting home at the end of an imperfect day, pop into the library and ask for an Annie Haynes. They have not made a mistake in the street number. It is not a cocktail they are asking for…” Sketch

  The Mystery of the Missing Author

  Annie Haynes and Her Golden Age Detective Fiction

  The psychological enigma of Agatha Christie’s notorious 1926 vanishing has continued to intrigue Golden Age mystery fans to the present day. The Queen of Crime’s eleven-day disappearing act is nothing, however, compared to the decades-long disappearance, in terms of public awareness, of between-the-wars mystery writer Annie Haynes (1865-1929), author of a series of detective novels published between 1923 and 1930 by Agatha Christie’s original English publisher, The Bodley Head. Haynes’s books went out of print in the early Thirties, not long after her death in 1929, and her reputation among classic detective fiction readers, high in her lifetime, did not so much decline as dematerialize. When, in 2013, I first wrote a piece about Annie Haynes’ work, I knew of only two other living persons besides myself who had read any of her books. Happily, Dean Street Press once again has come to the rescue of classic mystery fans seeking genre gems from the Golden Age, and is republishing all Haynes’ mystery novels. Now that her crime fiction is coming back into print, the question naturally arises: Who Was Annie Haynes? Solving the mystery of this forgotten author’s lost life has taken leg work by literary sleuths on two continents (my thanks for their assistance to Carl Woodings and Peter Harris).

  Until recent research uncovered new information about Annie Haynes, almost nothing about her was publicly known besides the fact of her authorship of twelve mysteries during the Golden Age of detective fiction. Now we know that she led an altogether intriguing life, too soon cut short by disability and death, which took her from the isolation of the rural English Midlands in the nineteenth century to the cultural high life of Edwardian London. Haynes was born in 1865 in the Leicestershire town of Ashby-de-la-Zouch, the first child of ironmonger Edwin Haynes and Jane (Henderson) Haynes, daughter of Montgomery Henderson, longtime superintendent of the gardens at nearby Coleorton Hall, seat of the Beaumont baronets. After her father left his family, young Annie resided with her grandparents at the gardener’s cottage at Coleorton Hall, along with her mother and younger brother. Here Annie doubtlessly obtained an acquaintance with the ways of the country gentry that would serve her well in her career as a genre fiction writer.

  We currently know nothing else of Annie Haynes’ life in Leicestershire, where she still resided (with her mother) in 1901, but by 1908, when Haynes was in her early forties, she was living in London with Ada Heather-Bigg (1855-1944) at the Heather-Bigg family home, located halfway between Paddington Station and Hyde Park at 14 Radnor Place, London. One of three daughters of Henry Heather-Bigg, a noted pioneer in the development of orthopedics and artificial limbs, Ada Heather-Bigg was a prominent Victorian and Edwardian era feminist and social reformer. In the 1911 British census entry for 14 Radnor Place, Heather-Bigg, a “philanthropist and journalist,” is listed as the head of the household and Annie Haynes, a “novelist,” as a “visitor,” but in fact Haynes would remain there with Ada Heather-Bigg until Haynes’ death in 1929.

  Haynes’ relationship with Ada Heather-Bigg introduced the aspiring author to important social sets in England’s great metropolis. Though not a novelist herself, Heather-Bigg was an important figure in the city’s intellectual milieu, a well-connected feminist activist of great energy and passion who believed strongly in the idea of women attaining economic independence through remunerative employment. With Ada Heather-Bigg behind her, Annie Haynes’s writing career had powerful backing indeed. Although in the 1911 census Heather-Bigg listed Haynes’ occupation as “novelist,” it appears that Haynes did not publish any novels in book form prior to 1923, the year that saw the appearance of The Bungalow Mystery, which Haynes dedicated to Heather-Bigg. However, Haynes was a prolific producer of newspaper serial novels during the second decade of the twentieth century, penning such works as Lady Carew’s Secret, Footprints of Fate, A Pawn of Chance, The Manor Tragedy and many others.

  Haynes’ twelve Golden Age mystery novels, which appeared in a tremendous burst of creative endeavor between 1923 and 1930, like the author’s serial novels retain, in stripped-down form, the emotionally heady air of the nineteenth-century triple-decker sensation novel, with genteel settings, shocking secrets, stormy passions and eternal love all at the fore, yet they also have the fleetness of Jazz Age detective fiction. Both in their social milieu and narrative pace Annie Haynes’ detective novels bear considerable resemblance to contemporary works by Agatha Christie; and it is interesting to note in this regard that Annie Haynes and Agatha Christie were the only female mystery writers published by The Bodley Head, one of the more notable English mystery imprints in the early Golden Age. “A very remarkable feature of recent detective fiction,” observed the Illustrated London News in 1923, “is the skill displayed by women in this branch of story-telling. Isabel Ostrander, Carolyn Wells, Annie Haynes and last, but very far from least, Agatha Christie, are contesting the laurels of Sherlock Holmes’ creator with a great spirit, ingenuity and success.” Since Ostrander and Wells were American authors, this left Annie Haynes, in the estimation of the Illustrated London News, as the main British female competitor to Agatha Christie. (Dorothy L. Sayers, who, like Haynes, published her debut mystery novel in 1923, goes unmentioned.) Similarly, in 1925 The Sketch wryly noted that “[t]ired men, trotting home at the end of an imperfect day, have been known to pop into the library and ask for an Annie Haynes. They have not made a mistake in the street number. It is not a cocktail they are asking for…”

  Twenties critical opinion adjudged that Annie Haynes’ criminous concoctions held appeal not only for puzzle fiends impressed with the “considerable craftsmanship” of their plots (quoting from the Sunday Times review of The Bungalow Mystery), but also for more general readers attracted to their purely literary qualities. “Not only a crime story of merit, but also a novel which will interest readers to whom mystery for its own sake has little appeal,” avowed The Nation of Haynes’ The Secret of Greylands, while the New Statesman declared of The Witness on the Roof that “Miss Haynes has a sense of character; her people are vivid and not the usual puppets of detective fiction.” Similarly, the Bookman deemed the characters in Haynes’ The Abbey Court Murder “much truer to life than is the case in many sensational stories” and The Spectator concluded of The Crime at Tattenham Corner, “Excellent as a detective tale, the book also is a charming novel.”

  Sadly,
Haynes’ triumph as a detective novelist proved short lived. Around 1914, about the time of the outbreak of the Great War, Haynes had been stricken with debilitating rheumatoid arthritis that left her in constant pain and hastened her death from heart failure in 1929, when she was only 63. Haynes wrote several of her detective novels on fine days in Kensington Gardens, where she was wheeled from 14 Radnor Place in a bath chair, but in her last years she was able only to travel from her bedroom to her study. All of this was an especially hard blow for a woman who had once been intensely energetic and quite physically active.

  In a foreword to The Crystal Beads Murder, the second of Haynes’ two posthumously published mysteries, Ada Heather-Bigg noted that Haynes’ difficult daily physical struggle “was materially lightened by the warmth of friendships” with other authors and by the “sympathetic and friendly relations between her and her publishers.” In this latter instance Haynes’ experience rather differed from that of her sister Bodleian, Agatha Christie, who left The Bodley Head on account of what she deemed an iniquitous contract that took unjust advantage of a naive young author. Christie moved, along with her landmark detective novel The Murder of Roger Ackroyd (1926), to Collins and never looked back, enjoying ever greater success with the passing years.

  At the time Christie crossed over to Collins, Annie Haynes had only a few years of life left. After she died at 14 Radnor Place on 30 March 1929, it was reported in the press that “many people well-known in the literary world” attended the author’s funeral at St. Michaels and All Angels Church, Paddington, where her sermon was delivered by the eloquent vicar, Paul Nichols, brother of the writer Beverley Nichols and dedicatee of Haynes’ mystery novel The Master of the Priory; yet by the time of her companion Ada Heather-Bigg’s death in 1944, Haynes and her once highly-praised mysteries were forgotten. (Contrastingly, Ada Heather-Bigg’s name survives today in the University College of London’s Ada Heather-Bigg Prize in Economics.) Only three of Haynes’ novels were ever published in the United States, and she passed away less than a year before the formation of the Detection Club, missing any chance of being invited to join this august body of distinguished British detective novelists. Fortunately, we have today entered, when it comes to classic mystery, a period of rediscovery and revival, giving a reading audience a chance once again, after over eighty years, to savor the detective fiction fare of Annie Haynes. Bon appétit!

  Curtis Evans

  Contents

  Cover

  Title Page/About the Book

  Introduction by Curtis Evans

  Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  About the Author

  Also by Annie Haynes

  The Witness on the Roof – Title Page

  The Witness on the Roof – Chapter One

  Copyright

  Chapter One

  “THERE! I think that will about do! No, stay—the tail of that ‘M’ is not quite right, and I will make it all a bit deeper while I am about it. Our initials must last as long as anybody’s, eh, Minnie?”

  The girl blushed and smiled as she glanced at the tall, well-set-up figure.

  “I think they look beautiful,” she said shyly, as after putting a few finishing touches the man stepped back to her side and surveyed his handiwork with pride: J.G. and M.S.

  “May it soon be M.G.,” he said as he slipped his arm round her waist. “What a lot of initials there are! The old tree will soon be full.”

  “All the lovers that have been in Lockford for years have carved their initials there,” the girl observed, looking up at the wide, hoary trunk. “See here, Jim, these new ones—G.D. and M.H. That will be Mr. Garth Davenant and Miss Mavis.”

  “Then it is all right that Miss Mavis’s maid should be the next,” the man responded, implanting a kiss upon her half-averted cheek. “Never mind, Minnie”—with a careless laugh—“there’s nobody here to see!”

  “How you do go on!” said Minnie, releasing herself and turning her hot cheeks away. “I have to be back at six to dress Miss Mavis for this dinner at Davenant Court, and we haven’t drunk the water at the Wishing Well yet.”

  “That is the next thing, is it?” the man said absently. He was gazing intently up at the grand old oak, under the wide-spreading branches of which they were standing. “Minnie, I believe that is a grey crow’s nest up there! Wait a minute, I must have an egg if it is. This old fellow won’t be difficult to climb, I fancy.”

  “Oh, Jim, Jim! Indeed you mustn’t!” the girl began. But her protest went unheeded. He had already thrown off his coat and was climbing up the tree before the words had left her mouth, and she could only watch his ascent in a sort of terrified fascination.

  Half-way up, however, he halted with, as it seemed to her, a sharp exclamation, then after a moment’s pause he turned and began his downward journey.

  “’Twasn’t a crow’s after all!” he said as he slid rapidly to the ground. “It was nothing but some old rubbish, and the game wasn’t worth the candle.”

  “It will bring us bad luck, though,” Minnie wailed. “Whatever made you climb the Lovers’ Oak, Jim? It shows right well you are a foreigner. If you’d been a Devonshire man you wouldn’t have tried it on, not for twenty nests.”

  Her lips were quivering, big tears were standing in her eyes. The man glanced at her with some compunction; quite evidently the ill-luck of which she spoke, and which his hasty action had braved, was a very real thing to her.

  “Cheer up, Minnie!” he said with a rough attempt at consolation. “I promise you I will let the Lovers’ Oak alone in the future. And come along now, I’ll drink gallons of water at the Wishing Well to make up!”

  “It is dreadfully unlucky”—Minnie sighed—“but maybe it’ll be taken into account that you are a foreigner. Now the Wishing Well—do be careful there, Jim.”

  “I won’t move a step till you give me leave,” he assured her as they turned aside down a narrow rugged path and picked their way over stones worn smooth by the feet of countless lovers. “You wish while you drink, that’s it, isn’t it, Minnie?”

  “Yes. They say in olden times a man who went out to the wars—Crusades they called them then—was wounded and reported dead. When after long years he made his way back to Lockford he found his wife, believing him dead, had married again. So for love of her he would claim neither title nor estate lest he should shame her, but made himself a hut here under the oak so that, all unknown, he could watch over her. They called him the hermit of Lockford, and only when he died was it found out who he really was.”

  “Umph! I fancy I have heard something like that before,” said Jim slowly.

  Minnie was too much in earnest to heed the scepticism in his tone.

  “He lived on berries and things from the woods, and he got his drink from the Wishing Well. See”—as they came in sight of the clear, limpid water, with tiny, wild maidenhair-fern growing in every niche and cranny of the old grey rock above it—“this was his cup,” picking up a curious-looking hollowed stone that stood on the wide ledge beside, “so they say, but Miss Mavis doesn’t believe it; she says she’s sure it can’t be so old.”

  The man took it from her and looked at it.

  “Um! Queer sort of thing, I should say. Now you must tel
l me what to do, Minnie, or I shall be making a mistake again. You have to drink out of this, don’t you?

  “Drink and wish,” she said solemnly. “Wish for something you want very much, Jim, for a man can only have three wishes granted in his lifetime.”

  Jim stooped and filled the cup.

  “Well, here goes, then! I wish—”

  With a cry Minnie stopped him.

  “You mustn’t say what it is. You mustn’t tell anyone, or you won’t get it,” she said, with real distress. “Oh, do be careful, Jim! Let me drink first.”

  “Right you are!” and with affected contrition he handed the cup to her.

  Minnie stood silent a moment as if lost in thought, then she raised the cup to her lips and sipped the water slowly.

  “Now, Jim!” she said as she passed it back.

  Apparently Jim was in no uncertainty as to his wish; he emptied the cup with great celerity.

  “That is soon done, then. Now if our wishes come true we shall be happy enough, Minnie.”

  He tucked his arm in hers as they turned back.

  “Yes, unless climbing the oak has brought us bad luck,” Minnie rejoined, unable to forget her grievance. “What made you stop when you got so far, Jim?” she went on curiously. “I heard you call out as if you were surprised.” The man hesitated a moment.

  “I was surprised it wasn’t a nest, after all. As for why I came back, I could see you didn’t want me to go on and that’s enough for me any day, Minnie.”

  Minnie rewarded him with a glance and a smile.

  “Why, Jim—” The sound of a clock striking the hour interrupted her. “Six! Why, I ought to be at the Manor!” she cried in consternation. “How we must have dawdled! Come, Jim,” quickening her steps, “we must make all the haste we can or I shall be late and Miss Mavis will be waiting.”

  “Tell her you have been to the Lovers’ Oak and the Wishing Well and she will understand,” suggested Jim as they hurried along. “I dare say she took her time with Mr. Davenant the other day. You won’t be so very late, after all; we are getting to the edge of the wood, and it won’t take you a minute to run across the Park. Oh, confound it all, here’s that fellow Greyson!”